Gracie Gardner's Pussy Sludge is an absurdist but sharp portrait of the swamp of self-loathing and isolation created by misogyny.

Black Ensemble Theater founder Jackie Taylor gets personal about her own family in Elvis Presley Was a Black Man Named Joe.

In Dummy in Diaspora, Esho Rasho explores what it means to be the gay son of Assyrian immigrants in the United States.

Chicago artist Gretchen Hasse's The Dinosaur Opera, a multipart in-progress epic, explores "time, purpose, and meaning" through puppetry.

For going the next step in zero-waste shopping, it's hard to beat Lincoln Square’s Eco Flamingo, which opened in 2020.

For the Artists of the Wall Festival, people from all over the community come together to paint their own little section of the 600 feet of concrete benches stretching between Farwell and Morse.

Kerry Reid (she/her) has been the theater and dance editor at the Chicago Reader since 2019. Graduating from Columbia College in 1987, she worked with several off-Loop theater companies before ...

A clash between a grad student and the dean of a theater department takes center stage in Omer Abbas Salem's One Party ...

Artistic Home's revival of Ibsen's Hedda Gabler anatomizes how vicarious thrills lead to vicious vengeance.

In the world premiere of Susan Soon He Stanton's Cygnus at Gift Theatre, a young woman's trauma meshes with mythology.

DEREK LYNG hailed Kilkenny keeping all their players on the field to pick up an important victory over Limerick. The success ...

LIMERICK suffered their second defeat of the Allianz Hurling League as they were defeated 0-29 to 0-20 by Kilkenny on ...