This historical docufiction, directed by Lou Ye, boldly dramatizes the outbreak of COVID in China by way of its impact on a ...

Jeff Desom, currently doing jury duty at the Luxembourg City Film Festival, calls for a thought-through approach to AI: "At ...

From the creative team behind such Marvel Cinematic Universe sensations as Captain America: The Winter Soldier & Avengers: ...

They're both action-RPGs with a big emphasis on choice, though this time your decisions will ripple across the decades and ...

Krrish 4 has been delayed again due to budget issues, with an estimated cost of ₹700 crore. The film’s production is unlikely ...

The end of Technicolor and Jellyfish signal the implosion of the beleaguered visual effects industry and a final reckoning.

There is a phenomenon well known by veterinarians, dog trainers, and shelters as the “dog movie star effect”. This refers to ...

Creating the visual style of Babiru was a journey filled with experimentation, problem-solving, and a lot of collaboration.

2016's horror film The Boy was produced for just $10 million and didn't seem to include much CGI at all, yet the production ...

Whiskytree’s CG supervisor J.P. Monroy reveals the studio’s process for generating realistic battle scars on fighter planes.

An old hospital in the rural Queensland town of Cracow is now home to a group of creatives working on horror-comedy films.

Mr. Monopoly wearing a monocle. Roy Scheider saying "We're going to need a bigger boat" in Jaws. The existence of a 1990s kids movie titled Shazaam ...