Roberto Bilotti has removed the piece from Galleria Nazionale d’Arte Moderna e Contemporanea in Rome, claiming it was being exhibited in “a dark corner” and was “not valued at all”.
from Berlin [after 12 April 1912], in Umberto Boccioni, Lettere futuriste, ed. Federica Rovati (Rovereto: Egon, 2009), 41. 4. See Anthea Callen, The Art of Impressionism: Painting Technique and the ...
Ritratto della signora Adalgisa Maffi (1910) di Umberto Boccioni, il museo amplia la sua narrazione dell’arte italiana tra Ottocento e Novecento con un’opera emblematica della transizione dell’autore ...
Varoufakis' proposals were doomed to fail', I critically analysed the proposals made by Varoufakis before joining Tsipras' government in January ...